![]() We thought the entrance was particularly impressive, the polished concrete floor punctuated by enormous industrial pillars means the sheer magnitude of the Tanks is hard to ignore. The next fifteen weeks also hold events such as Saturday’s conference “Inside/Outside: Materialising the Social”, which looks to examine the codes and boundaries of exhibition. The South Tank will be dedicated to a series of live performance this week’s highlights include choreographer Anne Teresa De Keersmaeker and artist Eddie Peake. His work will be displayed throughout the fifteen-week period alongside Lis Rhodes’ Light Music and Suzanne Lacy’s The Crystal Quilt. Korean artist Sung Hwan Kim presents the first specially commissioned installation for the Tanks. To christen this extraordinary environment the Tate launches a fifteen-week programme of performance and events entitled “The Tanks: Art in Action”. They continue their work on the gallery in the brand new eleven-story extension that will rise to mirror the height of the chimney by 2016. But, in the Tanks they have created a very different, raw, and distinctive exhibition space from a giant industrial structure. ![]() Herzog & de Meuron transformed the main power station and set a precedent for the white-cube aesthetic in the display of publicly owned modern art, giving Britain a gallery with open spaces enough to rival MoMA. These once derelict spaces have now been reborn into a series of atmospheric caverns dedicated to exhibiting live, performance and interdisciplinary art. ![]() The Tate’s Tanks were – in the buildings previous life as Bankside Power Station – formerly used to store vast quantities of oil. The Tate Modern is just a stones throw from Insight HQ, so we thought it appropriate to wander down and see their new exhibition space, the cavernous underground chambers called the Tanks.
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